Napoleon Crossing the Alps

A VERRE EGLOMISE ABOUT NAPOLEON CROSSING THE ALPS.

Engraved by Phuong Dam Artist.

Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St Bernard Pass in May 1800.

It became the most commonly reproduced vividly image of Napoleon through sophisticated gold and platinum gliding engraving on glass techniques. The verre eglomise becomes more classy on every interior space.

The verre églomisé was made under silhoutte bild, in the original finely engraved. 

A VERRE EGLOMISE ABOUT A FLOWER VASE.

Engraved by Phuong Dam Artist.

The verre églomisé etching and gilding in gold and silver leaf about a Flower vase. These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE WITH THE PORTRAIT OF THE FREDERICUS ALBERTI.

Reproduction by Phuong Dam Artist.

This verre églomisé portrait of Alberti, Lutheran pastor in Amsterdam, was sophisticated gold and silver gliding engraving on glass. The pastor has been depicted with his right hand on a Bible, opened at John 1, verse 17: ‘For the law was given through Moses, grace and truth came through Jesus Christ

A VERRE EGLOMISE DEPICTING LEONARDO DA VINCI PORTRAIT.

Engraved by Phuong Dam Artist. 

The verre églomisé was engraved and gilded in gold leafs about Leonardo da Vinci portrait - A painter, sculptor, architect, designer, theorist, engineer and scientist. Leonardo da Vinci created some of the most famous images in European art. Though many of his works were never finished, and even fewer have survived, he influenced generations of artists and he continues to be revered as a universal genius.

A VERRE EGLOMISE DEPICTING BATTLE SCENE.

Engraved by Jonas Zeuner.

Both of verre églomisé  pictures depicting Battle scene, possibly the Seven Years' War (1756-1763).

We perfected techniques for engraving in genuine gold and silver leaf, known as verre églomisé or verre eglomise. The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.  Wonderful work are now on permanent display at famouse museums and collectors.

A VERRE EGLOMISE DEPICTING BATTLE SCENE.

Engraved by Jonas Zeuner.

Both of verre églomisé  pictures depicting Battle scene, possibly the Seven Years' War (1756-1763).

We perfected techniques for engraving in genuine gold and silver leaf, known as verre églomisé or verre eglomise. The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.  Wonderful work are now on permanent display at famouse museums and collectors.

A VERRE EGLOMISE ABOUT THE PARABLE OF THE GOOD SAMARITAR.

by JONAS ZEUNER, 1794

Reproduction by Phuong Dam Artist

The verre églomisé etching and gilding in gold and silver leaf about the merciful Samaritan helping a man, the inn further down the road to the left. In the foreground, a priest and a Levite passing by and Christ in the background telling the story. These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT THE STORY OF ELIJAH.

by JONAS ZEUNER, 1792

Reproduction by Phuong Dam Artist

The verre églomisé etching and gilding in gold and silver leaf on glass about the Hebrew prophet at the edge of the brook Cherith and a raven bringing him meat in its beak. Furthermore, the verre églomisé also depicting Elijah and the widow of Zarephath and the rival sacrifices of Elijah and the priests of Baal. After that, Elijah was visited by an angel. 

These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT VIEW OF THE STERREBOS.

Sterrebos has the same name as its original form. It was created in 1765 as a forest with straight paths from a central point. The forest is shaped like a star. The trees stood in tight rows, as if the forest had been marked with a ruler. From the south, you can see the Martini Tower through the trees.

Jonas Zeuner captured that beautiful image in a delicately carved gilded verre églomisé before Sterrebos was redesigned and lost the shape of a star.

A VERRE EGLOMISE ABOUTTHE TREATY OF FONTAINEBLEAU 1785.

By Jonas Zeuner, 1785

The verre églomisé view of the Treaty of Fontainebleau (1785).  This jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE DEPICTING PROBABLY A VIEW OF GREENWICH.

by JONAS ZEUNER, 1760

Reproduction by Phuong Dam Artist.

The reverse glass painting  shows a view of Greenwich Hospital in 1798. The verre églomisé  was etched and gilded on genuine gold leafs.

A DUTCH VERRE EGLOMISE PICTURE OF MONTELBAANS TOREN

by JONAS ZEUNER, 1790

Reproduction by Phuong Dam Artist

The verre Églomisé described a view from the Ridderbrug across the Oude Schans toward the North-East overlooking the Kikkerbilsluis. The Gravenhekje to the right and the Montelbaans Toren to the left. The verre églomisé  was etched and gilded on genuine gold leafs.

A DUTCH VERRE EGLOMISE VIEW OF THE MUNTTOREN IN AMSTERDAM

by JONAS ZEUNER, 1786

Reproduction by Phuong Dam Artist

The verre eglomise described a view to the East - North - East over the Singel towards the Munttoren with the inn 'De Munt,' and the Muntshus with the Reguliersbreestraat to the right, the Binnenamstel in the background. The verre eglomise was etched and gilded gold and silver foil and polychrome oil painting on glass in an ebonised and gild softwood frame.

A DUTCH VERRE EGLOMISE VIEW OF THE TOWER JAN ROODENPOORTSTOREN THE TOWER JAN ROODENPOORTSTOREN

by JONAS ZEUNER, 1784

This verre églomisé depicting  views of the Tower called Jan Roodenpoortstoren and the Singel Canal in Amsterdam.  These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT ZEUS AND HERA VISITED BY POSEIDO.

Engraved by Phuong Dam Artist.

The reverse glass painting was made by engraving  and gilding in gold and silver leaf , depicting Zeus (Jupiter) and Hera (Juno) sit with his eagle. After that, they was visited by Poseidon (Neptune) Hermes (Mercury) and his son (by Alkmene). This jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A DUTCH VERRE ÉGLOMISÉ OF OUDERKERK AAN AMSTEL 
by JONAS ZEUNER , circa 1780
This verre- églomisé picture was engraved in genuine gold and silver leafs  with a view of Ouderkerk aan de Amstel, looking on the church and bridge.

A VERRE EGLOMISE DEPICTING THE SPRING.

Engraved by Phuong Dam Artist.

This verre églomisé picture was adapted from The Spring - a famouse painting by French artist Pierre Auguste Cot . 

Manetti Vietnam perfected techniques for engraving in genuine gold and silver leaf, known as verre églomisé . The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.

A VERRE EGLOMISE DEPICTING THE STORM.

Engraved by Phuong Dam Artist.

This verre églomisé picture was adapted from The Storm - a famouse painting by French artist Pierre Auguste Cot . 

Manetti Vietnam perfected techniques for engraving in genuine gold and silver leaf, known as verre églomisé . The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.

A PAIR OF VERRE EGLOMISE DEPICTING A POND IN A RURAL LANDSCAPE AND A BRIDGE IN THE COUNTRYSIDE.

by JONAS ZEUNER, 1807

The first reverse glass painting depicting  a pond in a rural landscape.  This verre églomisé  engraving  and gilding in gold and silver leafs.

A PAIR OF VERRE EGLOMISE DEPICTING A POND IN A RURAL LANDSCAPE AND A BRIDGE IN THE COUNTRYSIDE.

by JONAS ZEUNER, 1807

Reproduction by Phuong Dam Artist

The second reverse glass painting depicting  a bridge in the countryside.  This verre églomisé  engraving  and gilding in gold and silver leafs.

A DUTCH VERRE EGLOMISE PICTURE OF THE COUNTRY HOUSE.

by JONAS ZEUNER, 1791

Ouderkerk aan de Amstel is a quaint village located south of Amsterdam on the shores of Lake Ouderkerkerplas. The village dates back to the 12th century and is best known for its parish houses and Jewish cemeteries. Ouderkerk aan de Amstel offers a beautiful refuge from the hustle and bustle of its notorious neighbor to the north. The village is a popular destination for cycling from Amsterdam - just follow the Amstel river south for 40 minutes or so until you reach it

The verre eglomise is carved in gold and silver, with the town of Ouderkerk aan de Amstel facing the church and the bridge. 

A VERRE EGLOMISE ABOUT VIEW OF THE NAARDERTREKVAART.

by JONAS ZEUNER, 1787

The verre églomisé view of the Naardertrekvaart with the Hakkelaarsbrug and the country house of Hendrik Hooft Danielsz.

These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE DEPECTING DUTCH VILLAGE SCENE.

by JONAS ZEUNER, 1799

Reproduction by Jonas Zeuner

The verre eglomise with engraved and gilded gold and silver leafs. The reverse glass painting is decorated with Dutch village scene with a river on the left with boats and in the background a town engraved in gold and silver, the sky painted in pastel colors.

A VERRE EGLOMISE VIEW OF THE MILL ALONG A RIVER.

The verre églomisé depicting  a Mill along a river.  By the river is an old farmhouse with a dilapidated factory. There are also a few rowing boats with people on the water.

This jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE DEPICTING THE HEART'S AWAKENING.

Engraved by Phuong Dam Artist.

This verre églomisé picture was adapted from The Heart's Awakening by William-Adolphe artist (1825-1905).

Manetti Vietnam perfected techniques for engraving in genuine gold leafs, known as verre églomisé . The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.

A VERRE EGLOMISE DEPICTING THE WOMAN.

Engraved by Phuong Dam Artist.

Manetti Vietnam perfected techniques for engraving in genuine gold leafs, known as verre églomisé . The result was  breathtaking. This jewel-like pictures were greatly admired in elite circles.

A PAIR OF DUTCH VERRE EGLOMISE PICTURES
by JONAS ZEUNER ,1803 and 1804

A PAIR OF DUTCH VERRE EGLOMISE PICTURES were made by engraving on genuine gold and silver leafs, known as verre églomisé.   The first verre eglomise picture depicting a couple and infant child on a riverbank, with a cow hand and distant wading figures, signed ' Zeuner, 1803 ', the second verre eglomise picture depicting a seated fisherman and attendant viewing a distant shepherd and flock, signed ' Zeuner, 1804 ', 

A PAIR OF DUTCH VERRE EGLOMISE PICTURES
by JONAS ZEUNER ,1803 and 1804

A PAIR OF DUTCH VERRE EGLOMISE PICTURES were made by engraving on genuine gold and silver leafs, known as verre églomisé.   The first verre eglomise picture depicting a couple and infant child on a riverbank, with a cow hand and distant wading figures, signed ' Zeuner, 1803 ', the second verre eglomise picture depicting a seated fisherman and attendant viewing a distant shepherd and flock, signed ' Zeuner, 1804 ', 

Abraham Munting enlarged the botanical garden named "Paradijs van Groningen" in 1642. Abraham Munting enlarged the garden and The verre eglomise portrays plants growing in it. The reverse glass paintaing etching and gilding in gold and silver leaf  is indeed unusual and original by comparison to contemporary botanical illustration, set within landscape settings or against decorative classical elements. Many plants and flowers were from specimens collected by botanist friends of Munting and sent from distant places like the Americas, Africa and the Indies.

A VERRE EGLOMISE ABOUT A DOG.

Engraved by Phuong Dam Artist.

The verre églomisé etching and gilding in gold and silver leaf about a dog. These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT A RHINO.

Engraved by Phuong Dam Artist.

The verre églomisé etching and gilding in gold and silver leaf about a Rhino. These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT A HORSE.

Engraved by Phuong Dam Artist.

The verre églomisé etching and gilding in gold and silver leaf about a Horse. These jewel-like pictures perfected techniques for engraving in genuine gold and silver leaf, have been greatly admired in  elite circles to nowaday.

A VERRE EGLOMISE ABOUT SET OF 4 TULIP VASE

The beautiful verre églomisé  were paint on back site of glass with silver leaf.